Check it out:
https://crescentarts.ticketsolve.com/shows/126514088/events
Thursday, 31 March 2011
Sunday, 27 March 2011
"Id" included in solo slot at SD Bells
Solo gig in SD Bells on Friday was fun. I included trio tune Id. You can read about this tune and hear an older recording of the trio version here:
http://www.belfastjazz.co.uk/Blog/Entries/2011/3/26_Id.html
http://www.belfastjazz.co.uk/Blog/Entries/2011/3/26_Id.html
Thursday, 24 March 2011
Second Friday Piano spot: tomorrow in SD Bells. 2.30 - 4.30 pm
See you there.
See you there.
Sunday, 20 March 2011
Saturday, 19 March 2011
Crescent Arts Centre Gig in May
The Keith McVeigh Trio will be playing in the Crescent Arts Centre on 19 May 2011. Doors open at 8 pm.
Keith McVeigh - piano
Richard Schaible - Bass
Ian Leask - Drums
See you there!
Monday, 14 March 2011
SD Bells on Fridays
Will be very happy to be playing (background) piano in SD Bells on Friday afternoons for a while.
Hope to see you there.
Thanks for the gig, Robert.
http://www.sdbellsteacoffee.com/
Hope to see you there.
Thanks for the gig, Robert.
http://www.sdbellsteacoffee.com/
Friday, 11 March 2011
Thursday, 10 March 2011
Proposition 5.554
I have recently finished a neoclassical piece for piano and flute. It is inspired, in part, by Debussy’s objection to Satie’s lack of form, and Satie’s response.
Proposition 5.554 of Wittgenstein’s Tractatus Logico Philosophicus says, “It would be completely arbitrary to give any specific form.”
The flute part of 5.554 is isorhythmic. The forty-nine pitches of the color are derived from the forty-nine letters of the quotation using a chromatic/alphabetic cypher. The Talea is derived from the speech rhythm of its eighteen syllables over three bars of 5/4 and one bar of 4/4. This renders 196 bars of ‘melody’.
The tonal piano ‘accompaniment’ in fact dominates the sound and is intuitively written as to ‘make sense’ of the mechanistic flute part.
Click to hear 5.554
Click to hear 5.554
Uxorious Blues
uxorious |ˌəkˈsôrēəs; ˌəgˈzôr-|
adjective
having or showing an excessive or submissive fondness for one's wife.
ORIGIN late 16th cent.: from Latin uxoriosus, from uxor ‘wife.’
I wrote this slow sixteen-bar blues a while ago, and played it live with my trio recently.Click here for a Garage Band version of Uxorious Blues and a score
adjective
having or showing an excessive or submissive fondness for one's wife.
ORIGIN late 16th cent.: from Latin uxoriosus, from uxor ‘wife.’
I wrote this slow sixteen-bar blues a while ago, and played it live with my trio recently.Click here for a Garage Band version of Uxorious Blues and a score
Tuesday, 8 March 2011
Wednesday, 2 March 2011
SD Bells Gig this Sunday
Robert Bell has kindly booked in my trio to play on Sunday 6th March, in his restaurant:
516 Upper Newtownards Road
Belfast, Co Antrim, BT4 3HL
The last time we played in Bell’s was last October. Its a nice gig, a popular eating place with a long history. Very friendly.
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